The Artist’s Mother Praying Before the Body of her Daughter Madeleine (1856)

(C) RMN / Jean-Gilles Berizzi / 03-006195

Henner had five brothers and sisters including Madeleine painted here on her deathbed. His early paintings are characterised by a realism that continued to be a constant factor in his works. In 1879, Henner described it to Durand-Gréville as “conscientious painting”. The painter was realist by temperament and probably also as a result of the influence of German painting, particularly Hans Holbein. This painting is the first example of the representations of death that would become a recurring theme in his work, subsequently assuming a religious character with his figures of Christ.

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